google-site-verification=1TdvdnCtClKgvHcOPnC44b7Joy9M3ja_idYF5cmpzSs The Movie Waffler New Release Review [Digital] - END OF SENTENCE | The Movie Waffler

Sponsor

New Release Review [Digital] - END OF SENTENCE

end of sentence review
An estranged father and son travel to Ireland to scatter the ashes of their wife/mother.

Review by Benjamin Poole

Directed by: Elfar Adalsteins

Starring: John Hawkes, Logan Lerman, Sarah Bolger, Ólafur Darri Ólafsson

end of sentence poster

In ersatz road movie End of Sentence, a running joke involves an American having to drive a ‘stick’ instead of the automatic he is used to, resulting in frequent comedic lurches of the hire car as said hapless driver struggles with the manual transmission. The cheery conceit could well be a metaphor for this scrappy and witty feature length directorial debut from Elfar Adalsteins, which, although at times ungainly, certainly takes its audience on a daft and fun trip. Likewise, Michael Armbruster’s canny screenplay involves many abrupt narrative gear changes which wrongfoot the audience: just when we assume the film is going one way, the plot or a character surprises us and further makes the shaggy dog journey of End of Sentence a roadworthy, immensely enjoyable experience.

end of sentence review

We open heavy: a middle-aged couple (Frank and Anna: John Hawkes, Andrea Irvine) visit their son in the big house, where the twentyish Sean (Logan Lerman) is doing a short stretch of bird for grand theft auto. In these early scenes the film is thin lipped and serious. Anna, a woman dying of aggressive cancer has come to the prison to see her wayward son for the last time: an officious screw tells her to remove her headscarf, which leaves Anna, and her chemo-baldness, exposed. Soon after, Anna passes on, and Frank, although surrounded by polite mourners, seems completely alone at the funeral.  Just as well that Sean is due to be released, then? Not so fast. Father and son are at embittered odds, with Sean holding on to some lingering childhood resentments, most notably that Frank, an absolute milquetoast, didn’t stand up to his son’s abusive grandfather.


Via a brief confluence of narrative contortions, the estranged odd couple - Sean streetwise and tough, Frank weedy and bookish - nonetheless wind up taking a road trip from the States to the Emerald Isle in order to deposit Anna’s ashes in a lake. Our first evidence of the screwball energy which the films dips into comes when cautious driver Frank is flipped the bird by an elderly female driver (haha, old people swearing), confounding any disagreeable concerns that this could be the start of a worthy, sentimental journey (I mean, of course, the learning and the healing will duly arrive, but in End of Sentence it feels earned, rather than rote). The film does, however, take a little while to get moving in this first act. An extended scene with Anna’s Irish relatives is broad and airless, ultimately a bit pointless in terms of drama, except perhaps to hint that the saintly Anna had a few unwelcome secrets herself.

end of sentence review

The above is an early example of this film’s sharp character construction, which is perhaps best exemplified by the character of free-spirited Jewel (a great Sarah Bolger), whom Sean meets in a late-night hotel bar, promptly gets off with and, when, in the morning, the car won’t start, suitably impresses Frank when she pops open the hood and immediately identifies the problem and fixes it (mechanic pixie girl?). The film hits its stride with this character introduction, despite the eye rolling platitudes which Jewel expounds - "We might go on rides with bad boys, but the kind ones are who we stay with," she reassures Frank; um, you’re all of 25?- which again work upon existing cliches, because as ever, things are not as we may expect...  (think Alison Doody...)

end of sentence review

At its best, End of Sentence sort of reminded me of the wild ride of an early Jonathan Demme film, that sense of loose, frantic storytelling. At times it ain’t half ropey, though. There is an incredible moment when, in a port town, the father and son duo run into some rugby supporters drunk as lords and loitering in town. Hilariously, Sean approaches them and hopelessly asks "Anyone seen a girl? Driving an Audi?" - hahahahaha! The thing is the rugby contingent are all in red shirts and are singing Hen Wlad Fy Nhadau; i.e., they are Welsh. You get the feeling that the crew spotted some rugby lads waiting to catch the ferry back to Holyhead on the day of filming and thought to chuck them into the movie to add some local colour (Welsh/Irish-all Celtic, innit). It is this sort of spontaneous, freewheeling energy which characterises End of Sentence though, an amusing and sweet natured film which will leave you with a lovely warm feeling inside.

End of Sentence is on UK/ROI Digital from May 10th.



2021 movie reviews