 
  July on MUBI UK sees the latest movies from
    Paul Verhoeven and Mia Hansen-Løve hit the service, along with a new doc on
      Nick Cave and an acclaimed abortion drama.
  Benedetta
        From renowned provocateur Paul Verhoeven (Elle,
        Basic Instinct),
        Benedetta
        (2021) – the subversive erotic drama based on the true story of a 17th
        century nun entangled in a forbidden lesbian affair – arrives
        exclusively on MUBI this month. 
      
      
        Virginie Efira stars as the titular Benedetta, a nun who, devoted
        to the Virgin Mary as a child, is granted entry to the Theatine Convent
        of the Italian city of Pescia. As an unwaveringly faithful adult,
        Benedetta’s religious fervour begins to manifest in increasingly sensual
        and violent visions of Jesus. These hallucinations arouse the suspicions
        of Charlotte Rampling’s shrewd abbess, Sister Felicita, whose
        distrust grows when a farm girl called Bartolomea (Daphné Patakia) enters the convent seeking refuge, and quickly develops an attraction
        to Benedetta. 
      
      
        Set to the backdrop of a country overcome by a gruesome plague, this
        outrageous cinematic spectacle is a mischievous and unique twist on the
        period drama. Verhoeven’s intoxicating latest is a transgressive and
        alluring look at faith, power and religion, and is every bit as
        scandalous as you would expect from the controversial filmmaker.
      
      
  Nunsploitation Series
  Alongside the release of Benedetta, MUBI presents a focus on an additional selection of transgressive
      Nunsploitation films, including the recently restored
      Mother Joan of the Angels (1961). The films range from art
      cinema to erotica – often set within the repressive confines of convents –
      criticising religious hypocrisy and the constraints placed on women.
 
    
  This Much I Know to Be True
        This July, MUBI kicks off the series Turn It Up: Music on Film with the
        exclusive streaming premiere of Andrew Dominik’s breathtaking
        fusion of performance and documentary,
        This Much I Know To Be True (2022). A companion piece to
        his previous Cave documentary
        One More Time With Feeling (2016), Dominik reteams with
        musical collaborators Nick Cave and Warren Ellis,
        capturing their deep friendship and exceptional creative relationship as
        they bring to life songs from two of their last studio albums:
        ‘Ghosteen’ and ‘Carnage’. 
      
      
        Shot on location in London and Brighton by Oscar nominated
        cinematographer Robbie Ryan (The Favourite), and featuring extended performance sequences accompanied by singers,
        a string quartet, and a special appearance by long-term collaborator
        Marianne Faithfull, this absorbing documentary captures the mood
        and spirit of the central pair as they move through a new, optimistic
        phase.
      
      
  Turn It Up: Music on Film
      Encompassing both documentary and fiction, MUBI's selection of music films
      celebrates the electric magnetism of performance, and moves beyond the
      glitz and glamour of the stage into the lives, trials, and tribulations of
      the artists themselves.
    
    
      Taking us both on stage and behind the scenes, this special looks at the
      creative process and personal lives of both famous and less well-known
      musicians. Films span different musical genres, from rock to modern tango,
      bossa nova to protest songs. Includes Lucrecia Martel’s latest
      musical gem North Terminal (2021) and the 1981 masterpiece
      Trances, both a concert film and free-form audiovisual essay on the
      groundbreaking Moroccan band Nass El Ghiwane.
    
     
    
  Bergman Island
      Making a splash this month on MUBI, the dazzling and bittersweet romantic
      drama
      Bergman Island
      (2021), from acclaimed filmmaker Mia Hansen-Løve (Eden,
      Things to Come), tells the story of two couples spending their summer on the
      breathtaking island of Fårö, where revered filmmaker Ingmar Bergman lived
      and worked for over forty years. 
    
    
      Chris (Vicky Krieps) and Tony (Tim Roth) are both
      filmmakers, hoping to find inspiration for their next films as they
      retreat to the island to work on their screenplays. Meanwhile Amy (Mia Wasikowska) and Joseph (Anders Danielsen Lie), who were once lovers, are
      staying on Fårö to celebrate the wedding of their friend. As the summer
      passes by, the lines between reality and fiction become increasingly
      blurred as reminders of Bergman’s legacy playfully influence both stories.
    
    
      Hansen-Løve’s latest feature, and English-language debut, is laced with
      characteristically semi-autobiographical elements, and is both a
      mischievous and elegant contemplation of love, memory and the journey of
      the creative process.
    
     
    
  Happening
  Adapted from Annie Ernaux’s 2000 novel of the same name, last year’s
    Golden Lion winner,
    Happening
    (2021), streams exclusively on MUBI this month. Director
    Audrey Diwan’s gripping and timely cinematic work paints a dark
    portrait of a society that condemns female desire and liberty. Set in 1963
    France, the film tells the story of Anne – a bright, young student with a
    promising future – who falls pregnant and must race against time to secure
    her future no matter the cost. Featuring a revelatory, central performance
    from Anamaria Vartolomei.
 
  
  Time Will Transform Mountains: A Jia Zhangke Triple Bill
      Known for his distinctive merging of gritty social realism with an elegant
      and fluid postmodern style, director Jia Zhangke cements himself as
      the leading chronicler of modern mainland China offering astute snapshots
      of the social and emotional tensions facing his nation. 
    
    
      In July, this director spotlight is devoted to Jia’s stylish, sweeping and
      straight-talking dramas. A Touch of Sin (2013) marks the
      director’s return to fiction. A highly controversial political firebomb
      that the Chinese government tried to suppress, Jia’s singular combination
      of arthouse neorealism with visceral kung-fu vengeance won him Best
      Screenplay at Cannes. The grand melodrama of
      Mountains May Depart
      (2015) charts its heroine’s journey through several decades, each
      reflecting the pressures and desires of the time. Tracking the forces of
      modernisation threatening to bulldoze anything standing in the way, Jia’s
      films stubbornly insist on the value of individual stories of human
      resilience.
    
     
    
  François Ozon: Intimate Summers
      François Ozon has established himself as a prolific director best
      known for his contemporary takes on the melodrama genre. His eclectic
      filmography explores a wide spectrum of themes ranging from the fluidity
      of desire to heteronormative gender roles and the blind alleys of
      bourgeois life. With almost 20 films to his name, the French provocateur
      has built his career on a series of aesthetically fresh and daring stories
      that speak to a constant process of reinvention.
    
    
      For this special, MUBI brings together three of Ozon’s sun-soaked, summer
      tales – Swimming Pool (2003), 5x2 (2004) and
      Summer of ‘85
      (2020) – that take different approaches to explore the notion of time in
      one’s life and relationships and demonstrates his excellent use of
      postmodern techniques.
    
     
    
  Mother Joan of the Angels
  Beloved by Martin Scorsese, who included the film in his Masterpieces of
    Polish Cinema retrospective, MUBI presents a brand new restoration of
    Jerzy Kawalerowicz’s work of terrifying beauty,
    Mother Joan of the Angels (1961). Winner of the Jury Prize at
    the 1961 Cannes Film Festival, Kawalerowicz takes inspiration from the
    17th-century records that inspired Aldous Huxley’s 'The Devils of Loudun'
    and later Ken Russell’s The Devils (1971) in this haunting
    portrait of a virtuous, young priest sent to a remote convent to investigate
    an outbreak of demonic possession. 60 years later this profound exploration
    of faith, repression, fanaticism and sexuality has lost none of its power,
    and remains ripe for rediscovery.
  Aloners
  The thoughtful and reflective film from newcomer Hong Sung-Eun,
    Aloners (2021) offers a diagnostic sketch of modern urban
    solitude through acute character observation and impressive directorial
    control. This is a snapshot of modern life that is cynical about the present
    but tinged with hope for the future. Actress Gong Seung-yeon plays
    Jina – the top employee at a credit card company call centre who avoids
    building close relationships and chooses instead to live and work alone –
    for which she won the Best Actor award at Jeonju for her stunning
    performance.
  North Terminal
  One of the finest international filmmakers working today,
    Lucrecia Martel (Zama, The Headless Woman) returns with North Terminal (2022), a short documentary
    produced during the 2020 lockdown that finds the Argentine master returning
    to her home in Salta, the nation’s most conservative region. Following
    singer Julieta Laso, who becomes a window into a wider community of
    female artists who call Salta home, the result is a gripping tribute to
    sorority, creative exchange and collective defiance in the face of
    conservatism, calling for diversity and women’s empowerment.
  Wilderness
  Filmed over two and a half years along the same stretch of urban beach
    close to his home, artist Doug Aitken pieces together a series of
    AI-generated song cycles narrating the cinematic scenes in his latest work
    Wilderness (2021). Aitken – known for genre-bending
    installations, featured at MoMA, Serpentine Gallery and Centre Pompidou
    amongst others – explores the life cycle of the individual, society, and
    environment and questions the inescapable fusion of the real and the
    digital.
 
  