After accidentally locking himself out of his building, an introverted
      editor is forced to confront the world he's been avoiding in search of a
      way back inside.
  Review by
        Musanna Ahmed
  Directed by: Casimir Nozkowski
  Starring: Brian Tyree Henry, Sonequa Martin-Green, Sunita Mani, Asia Kate Dillon,
      Olivia Edward, Rebecca Naomi Jones, Maria Dizzia
    
      Though it was made in the Before Times, The Outside Story is
      essentially a COVID-19 movie flipped on its head. Where the quarantine has
      generated tales about creating virtual spaces to connect with one another
      (Host, Coastal Elites) or simply spending a vast amount of time cohabiting with those in our
      limited vicinity (Recovery, Locked Down), here is a story in which the protagonist has the freedom to avoid all
      physical contact while life goes on as normal. Until he has no choice.

      Charles Young (Brian Tyree Henry) is a video editor who wants to
      live in solitude after breaking up with his girlfriend Isha (Sonequa Martin-Green). His job can afford him to stay indoors anyway, and he only needs to
      take one look outside the window to see a busy community that would only
      disrupt his self-isolation. A food delivery utility provides him with the
      basic hierarchy of needs but, one time, the driver sadly walks off without
      a tip, noting to Charles that Isha was generous compared to him.
    
      Tripped by guilt, Charles runs out of the apartment to hand him loose
      change and show appreciation for his service. On the way back, though, he
      realises he has locked himself out of the apartment, thus ensuing a long
      day in which he’ll get to know the people of his neighbourhood. From
      talking to the local police officer Slater (Sunita Mani) to a
      nine-month pregnant woman named Paige (Hannah Bos) to his
      hard-nosed neighbour Juliet (Maria Dizzia) and her exuberant
      daughter Elena (Olivia Edward), Charles understands that he isn’t
      the only one trying to navigate difficult emotions. Naturally - obviously
      - it’s a message film that instructs us to not keep our feelings literally
      locked inside.

      And though the moral may be hammered into our head, it’s alright because
      the hammer has a soft touch. It feels nice to be in the company of these
      gentle characters, played by lovely actors led by the great
      Atlanta star. Part of its charm also lies in the fact that
      Charles’ long afternoon entails a series of events that are grounded and
      relatable, almost feeling like a lived-in experience. We’ve all had one of
      these sorta days, finding serendipitous connections that help us make the
      best out of an unfortunate episode.

      At this point, one year removed from the outset of the pandemic, it is
      boring and predictable to  merely label a lightweight, feel-good film
      as the sort of film we need right now. Particularly when it’s a film that
      exports a diverse, liberal, happy-go-lucky image of America at a time when
      that is simply not the case. But the coincidence of
      The Outside Story being an inverted timeline of our actual
      events gives me confidence to recommend it for this reason – it is
      absolutely a pleasant way to pass the time, finding unexpected humour in
      its parallels to the state of the world in the last year. Appealing
      performances from a medley of underappreciated talent bolster its appeal.
    
    
    
      The Outside Story is on US
      VOD/Digital from April 30th. A UK/ROI release has yet to be announced.
    
    
