With new films from Marshall and Smith arriving in the coming weeks, we
look back at the careers of the British genre filmmakers.
This Spring, courtesy of Shudder and Vertigo Releasing, two titans of
21st-century British horror return to the genre they carved their names
in. Christopher Smith (Creep) delivers a haunted house mystery with a difference in
The Banishing, while fellow filmmaker Neil Marshall (Dog Soldiers) directs the rip-roaring witch-hunting chiller
The Reckoning.
Here’s a look at the horror careers of these two acclaimed directors,
whose subject matter often overlapped, and whose sterling filmographies -
featuring werewolves, plague victims, subterranean creatures, hooded
killers and more - show just why they were the reigning UK kings of genre
cinema in the noughties, all set to reclaim that status with their
splendid new releases.
DEVILISHLY GOOD DEBUTS
At the turn of the century the horror genre was seriously in need of some
new blood, so to speak. It didn’t need to wait long. First came Neil
Marshall’s fantastic twist on the werewolf film, Dog Soldiers, in 2002, the marvellously gruesome and often hilarious account of a
group of squaddies out on manoeuvres in the Scottish Highlands, who run
into some seriously scary beasties. The low budget film was a huge box
office hit and has become a firm fan favourite (with rumours of a sequel
in the works), and proved to be one hell of a calling card for Marshall.
In 2004 Christopher Smith wrote and directed the nasty shocker
Creep, putting Franka Potente (Run Lola Run) front and centre as a woman stuck in the tunnels of the London
Underground, pursued by something you really wouldn’t want to meet in the
dark. Run Franka, run!
SCARIFYING SOPHOMORE EFFORTS
In 2004 Marshall wrote and directed The Descent, a nerve-rattling horror about a group of female cavers who run up
against a gaggle of fearsome underground ‘crawlers’ (perhaps the country
cousins of the creature from Creep). It made an eye-watering 40 million pounds at the box office, spawned a
sequel, and prompted none other than Jeremy Clarkson to declare that it
was ‘the scariest film ever made’! Marshall had well and truly arrived.
Not to be outdone, Smith hit the ground running with his 2006 pitch-black
horror comedy Severance, about a team-building excursion that goes horribly, dreadfully wrong.
Featuring a talking decapitated head, Danny Dyer on superb wideboy
form, women blasting machine guns and one of the cheekiest pay-off lines
in cinema history, this was a brilliant mix of the horrifying and
hilarious that had audiences howling in delight.
VISIONS OF HELL
In 2008 Marshall wrote and directed Doomsday, an eye-popping sci-fi thriller about a group of specialists fighting
their way through a desolate landscape in search of the cure for a lethal
virus. Ahead of its time, and featuring a kick-ass performance from the
original Tomb Raider Rhona Mitra, Marshall’s vision was ambitious,
action-packed and did not stint on the blood.
In 2009 Smith went out to sea for the thrilling Triangle, with Melissa George (The Slap) trapped in a hellish time loop on an abandoned boat, pursued by a
hooded figure with a bloody axe. Nightmarish, gripping and intense,
Triangle showed Smith exploring uncharted waters with a
genre film that engaged the mind, as well as bending it to breaking point.
YE OLDE BLOODBATHS
Both directors went back in time for their next films. Smith’s hugely
enjoyable Black Death (2010), set in 17th-century
plague-ridden England, had a terrific lead performance from the
ever-reliable Sean Bean (Possessor), and an early role for future Oscar-winner Eddie Redmayne (The Theory of Everything). It also featured a striking turn from Carice van Houten, that
predated her similar forthcoming role in Game of Thrones.
In Marshall’s gory historical adventure Centurion, released the same year, future X-Men star
Michael Fassbender starred as a Roman soldier fighting for his life
behind enemy lines. Marshall laid on the mud and blood and carnage thick -
it would stand him in good stead for his assignments directing key
episodes of the hit TV shows Black Sails and
Game of Thrones a couple of years later.
SPRING SCREAMING
After forays into family comedies (Get Santa) and TV series (Alex Rider), Smith comes back to the horror genre this year with
The Banishing, a spine-chiller set in Britain’s most haunted house, Borley Rectory,
during World War Two. Downton Abbey’s Jessica Brown Findlay is a young woman uncovering dark secrets
in her new home, while Sean Harris (Mission: Impossible) is ghost hunter Harry Price, and John Lynch (Isolation) a sinister ‘man of God’. Smith expertly handles this handsomely mounted
period mystery, twanging the nerves along the way, with creepy dolls,
shadowy figures, religious mania and a couple of proper jolting shocks.
Having directed TV shows including Westworld, Game of Thrones and Lost in Space, Marshall came back to the UK and reunited with
Dog Soldiers and Doomsday star
Sean Pertwee for The Reckoning, which could be a companion piece to Smith’s Black Death. With echoes of Brit horror classic Witchfinder General, and featuring a remarkable lead performance from
Charlotte Kirk (who also co-wrote the script) as a widow accused of
being a witch in 17th-century England,
The Reckoning features gore, bone-crunching action and an
enormous, terrifying demon. Welcome back to the fold Neil!
The Banishing will be released on digital platforms from
26th March and will stream on Shudder beginning 15th April.
The Reckoning will be available from 16th April and stream
on Shudder this Spring.