The trials and tribulations of an African-American family in Southern
Florida.
Review by
Musanna Ahmed
Directed by: Trey Edwards Shults
Starring: Sterling K. Brown, Taylor Russell, Kelvin Harrison Jr., Lucas Hedges, Renée Elise Goldsberry,
Alexa Demie, Clifton Collins Jr.
There were times during Trey Edward Shults' beautiful new film where
I was convinced that he was the greatest miserabilist filmmaker since Ken
Loach, depressing the hell out of me with the one-two punch of
Krisha
and
It Comes at Night
and stressing me out by going to some really dark places in
Waves.
But this may be his most hopeful work yet, an alternately distressing and
warm portrait of an African-American family in Florida undergoing the trials
and tribulations that follow a tragedy. It’s a staggering panorama that, at
its most micro level, is a character study of two siblings in the family of
four.
High school student Tyler (brilliantly played by
Kelvin Harrison Jr.) is an unsympathetic jock, a wrestler who strains
himself to the point of injury. His addictive personality stretches to an
over reliance on painkillers and, even more dangerously, an attempt to
control his girlfriend Alexis’ (Alexa Demie) destiny after she falls
pregnant. His selfish pursuits are hazardous to their emotional and physical
health, as he becomes aggressive in the domestic space.
There’s a connection to be made between Tyler and his broad-shouldered,
assertive dad Ronald (Sterling K. Brown delivering an awards-worthy
performance), a 'like father, like son' comparison of their athletic drive
that spills into the pernicious effects of hypermasculinity and patriarchy.
This is rather brilliantly established in the power dynamic between Ronald
and his physician wife Catherine (Renée Elise Goldsberry), Tyler’s
stepmother, as Ronald insecurely makes the point of keeping the whole family
together while Catherine is busy working, bread-winning.
[ READ MORE: New Release Review - Lola and the Sea ]
[ READ MORE: New Release Review - Lola and the Sea ]
On the flipside, the sweetest character in the family is daughter Emily (Taylor Russell, a marvellous revelation), whose personality - introverted, relaxed,
respectful - is far away from her brother’s, but her open-hearted nature
means she’s out to look after them rather than condemn them or separate
herself. From Emily’s perspective, they all just need to be more loving to
each other and be a cohesive unit again. She finds love in Luke (Lucas Hedges), an adorably awkward, non-judgemental peer who himself comes from
troubled parents, and their journey together is heartfelt.
Waves is about a lot of things - toxic masculinity,
parenthood, young love - and yet it's simply about family, the one thing
that holds up an umbrella to all these things, congregating them to build a
coherent theme. It's the sort of ambitious, great American family study
that, recently, I've only seen in non-fiction filmmaking. Namely, Bing Liu's
masterful Rust Belt picture Minding the Gap and Jonathan
Olshefksi's decade-spanning epic Quest.
Not only is it about a boatload of issues but Waves takes
form in many cinematic ways: it’s part family drama, part interpersonal
thriller, part rom-com. All of them are filtered through the aesthetic
choices that have well and truly formed Shults’ auteur signature - an aspect
ratio that shifts between claustrophobia and personal liberation, slow
reverse zooms, threatening piano notes, etc.
[ READ MORE: New Release Review - The Lost Daughter ]
[ READ MORE: New Release Review - The Lost Daughter ]
Speaking to peers at the London Film Festival, I was received with a fairly
divided response (though more towards the positive) and, admittedly, there’s
scope to dismiss what Shults is trying to achieve here, as his all-embracing
approach blurs the line between audacious and ostentatious, feeling like
multiple movies in one.
He may not need to juggle so many balls in the air but the end result is
all the better for it - or maybe even worse, depending on who you ask. It’s
surprising that such a drama goes down like Marmite, considering it’s not
particularly controversial, but I’d chalk it down to the fact that it’s a
most structurally unusual coming-of-age movie in a minute.
Accompanied by a soundtrack featuring some of the internet’s favourite
rappers (Kanye West, Kid Cudi, Tyler, The Creator etc), the camera swirls
around the characters having their carefree teenage life be interrupted by
new responsibilities and circulates the images inside your head to linger in
the mind, requiring time to process all the meanings of the experience.
Maybe you'll find little, maybe you'll find a lot, but there’s one thing I’m
sure of and that's that Waves is truly unforgettable.
Waves is on Netflix UK/ROI
now.