The true story of adopted Australian Saroo Brierley's search for his
Indian family.
Review by
Eric Hillis
Directed by: Garth Davis
Starring: Sunny Pawar, Dev Patel, Nicole Kidman, Rooney
Mara, David Wenham
After my public screening of Lion, the gents' bathroom was filled with men splashing water across their faces in an attempt to remove any evidence that Garth Davis' movie had induced the sort of bawling you might expect from a bobby-soxer at an early Sinatra gig. The film never cheaply tugs at the heart strings, but it's often quietly devastating, exploiting every man's greatest fear, that of upsetting his mother. Lion's protagonist has not one, but two mothers to worry about. What stress!
Adopted as a child by Tasmanian parents (played by Nicole Kidman and
David Wenham), Saroo grows up with a love of surfing, beer and
cricket, supporting Australia over India. It's only when he later attends
college in multi-cultural Melbourne and makes some Indian friends that he
begins to investigate his origins, using a new app called Google Earth to
scour the intimidating land mass of India for clues to his original home
town, desperate to find his first mother while attempting not to upset his
second in the process.
Davis may be best known for his work in TV, having helmed a large chunk of the acclaimed New Zealand series Top of the Lake, but his big screen debut announces the arrival of a filmmaker with a natural gift for cinematic storytelling. There's a lot of Spielberg in Lion, particularly in the sequences involving Saroo as a child. Watching the tiny figure negotiate his way through crowds of adults, filmed at waist height like a housekeeper in a Tom & Jerry cartoon, it's impossible not to think of E.T. And like Spielberg, Davis understands the cinematic value of a child's expressive face. There's a magical moment when, having arrived at his adoptive home, Saroo disappears behind the giant door of an Aussie fridge for a few seconds, eventually reappearing with a beaming smile, a short sequence that speaks volumes about western privilege.
Much of Lion plays out in silence as Davis relies on subtle camerawork, effective staging and the power of an actor's eyes over dialogue. Luke Davies' script commendably shuns any Oscar reel speeches, which makes the few times its characters sit down and communicate their feelings verbally all the more cathartic and moving. And boy is this a moving film. Don't worry if you need to retreat to your bathroom to compose yourself after your screening. You won't be alone.
Lion is on Amazon Prime Video UK
now.