New to Shudder - COHERENCE
The passing of a comet has strange consequences for the guests of a dinner
party.
Directed by: James Ward Byrkit
Starring: Emily Baldoni, Maury Sterling, Nicholas Brendon
In popular culture the arrival of a comet is rarely a cheerful omen. The
ancient Chinese put any and all misfortune down to the presence of the big
bolide, while Victorians were so shaken by the impending Halley’s Comet that
anti-comet sickness pills were sold. In cinema the presence of meteors has
been responsible for the advancement of murderous plant life (Day of the Triffids), really bad news in Armageddon, and were also rumoured to be the reason that the deceased reanimated in
Night of the Living Dead. Now here is Coherence, where the blazing manifestation of a comet leads to….well, to reveal that
particular outcome would be to spoil one of the several thrills and spills
that Coherence has in its well-crafted Schrodinger’s box of
tricks. Sci-fi, horror, social drama; Coherence is as
difficult to categorise as it is dazzling. However, there is no uncertainty
principle regarding the quality of the film: with Coherence, writer/director James Ward Byrkit has created a must see
release.
Coherence’s plot begins in the comfortable middle class home of Mike (Nicholas Brendon) and Lee (Lorene Scafarin), who are in the process of welcoming six
similarly affluent pals to a dinner party (another trope that hardly ever
turns out well in cinema). As the images of carefully drizzled oils and
cleaved avocados, and observations pertaining to the house’s Feng-shui, play
out, the guest’s varying degrees of smugness and insecurities are suggested
to us.
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The ease of communication between the actors, their natural on-screen
rapport, is a master class in ensemble direction; this group feels authentic
and lived in, an essential selling point for the film’s later dramas. Like
all groups of old friends, this lot are privy to secret histories and the
occasional simmering jealousy; for example, Kevin’s ex Laurie is a ‘vixeny’
newcomer who is now seeing Amir (Alex Manugian), much to the chagrin
of his present partner, the pensive, thoughtful Em (Emily Foxler).
Brendon (fuller of face, but who has lost none of his boyish charm) plays a
resting actor who used to star in actual TV show Roswell; in a brilliant moment of cringe, a guest - the begrudged Laurie - remarks
how much she loved that show, but can’t place him, even when it's pointed
out to her that he was in every broadcast (the playful coincidences to
Brendon’s real life iconic role in Buffy add an extra layer of
weird when the more metaphysical narrative eventually ensues).
The group’s pleasant small talk about the comet passing and other
banalities are given a masterfully unsettling edge due to Byrkit’s intimate,
oblique camerawork and Kristin Øhrn Dyrud’s devious score. The
tension develops when phone screens begin to shatter spontaneously,
communications shut down (the de facto horror consequence for the
information age), and, finally, the electricity cuts out, plunging almost
the entire street into darkness; except, seemingly, for a single other
house, down the street. The downbeat Abigail’s Party vibes
conflate with the mind bending twists of Primer as the group
venture out to make contact with their neighbours (…or are they?).
The seemingly casual and ostensibly improvised scenarios of the opening
dinner party transpire to be precursors of plot points which are as
carefully constructed as quantum quarks. This is a film where the smallest
action could have universe shattering potentials, and the petty secrets and
lies which fracture the group dynamic split to colossal cosmic outcomes. The
wily management of narrative and character - their compromised moral
choices, the fraught self-interest - is pretty much flawless throughout this
tight and suspenseful film, and leads right up to Coherence’s chilling and final twist, with all of that scene’s horrific and mind
bending implications. This is one shooting star not to blink and miss: see
it as it soars.
Coherence is on Shudder UK
now.