Does TV provide better roles for women than movies?
Here at TMW we're occasionally baffled by the praise heaped on movies we feel are undeserving, while other times we champion a movie only to see it trashed in the mainstream. Using the consensus of Rotten Tomatoes as a reference point, here are 10 examples from the first six months of 2014 where our evaluations differed wildly from the general consensus.
If you don't want to be labelled a cinema philistine you should always opt for the subtitled option, right? Right?
Born 100 years ago, Bernard Herrmann's career began in the golden age of Hollywood, working with the likes of Welles, Wise and, most fruitfully, Hitchcock, and ended with collaborations with 1970s movie brats De Palma and Scorsese. To celebrate his centenary, here are 20 of TMW's favourite Herrmann scores.*
Italian composer Riz Ortolani sadly passed away on January 23rd, 2014, aged 87, leaving behind a legacy of over 200 scores. His 1962 Best Song Oscar nomination for Mondo Cane is possibly the only time the Academy acknowledged the world of Italian exploitation movies. Ortolani prolifically contributed to genres as disaparate as EuroSpy, Giallo and the Spaghetti Western. In tribute, here are selections from 10 of his best scores.
John Carpenter is the ultimate auteur. Not only has he directed, written, edited and produced throughout his career but he's also written the scores for most of his movies. One of the first soundtrack composers to make use of synths, Carpenter brought a minimalistic rock 'n' roll approach to his scores and defined the sound of eighties horror. Here are selections from ten of his best works.